"Where Movie Critics Get A Taste Of Their Own Medicine!"
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'Big Momma's House condemned
by Herb Kane
Critic Doctor
June 7, 2000
out
of 4
CRITIC DOCTOR EXAMINES: Bob Aulert (culturevulture.net), Bob Graham (San Francisco Chronicle), Robin Rauzi (Los Angeles Times), Lawrence Toppman (The Charlotte Observer), Roger Ebert (Chicago Sun-Times), Michael Wilmington (Chicago Tribune), Susan Stark (Detroit News), Tom Meek (filmthreat.com), and Karen Moline (Movieline). PLUS the two TV critic shows: "The New Movie Show with Chris Gore" (FX Channel) and "Roger Ebert & the Movies" (Buena Vista TV)
Movie critics say "Big Momma's House" isn't so big. They say it has a little plot and little hope for Martin Lawrence to duplicate the success of Eddie Murphy's film - "The Nutty Professor." Did Big Momma dish out less than what we expected?
Bob Aulert (culturevulture.net) said, "The story
(what there is of it) is a thin stew of shameless stolen ingredients,
one part 'Mrs. Doubtfire,' one part 'Nutty Professor,' one part
'Tootsie,' five parts idiocy."
Big Momma (Ella Mitchell), a 400 pound Southern woman, leaves
town on emergency forcing FBI agent Malcolm Turner (Martin Lawrence)
to dress up in a fat suit to take her place. He stakes out her
house to catch escape convict Lester (Terrance Howard) who is
the ex-boyfriend of granddaughter Sherry (Nia Long). Malcolm later
develops a big heart for Sherry and finds himself in enormously
funny situations.
Bob Graham (San Francisco Chronicle) said, "If 'Big
Momma's House' goes over, I wouldn't be surprised to see a 'Big
Momma' meets the 'Nutty Professor' double sequel down the line."
Many critics I've read would disagree and probably call the sequel
"Big Momma's House" meets "The Wrecking Ball."
Despite the thin story line and the fact other actors were
merely props in the film, "Big Momma's House" was a
funny movie in a "lets play pretend" kind of way. But
some critics simply don't have a sense of humor.
There is one scene where the real Big Momma rushes for the toilet
with diarrhea from ill effects of eating stewed prunes. Malcolm,
trapped in her bathroom and hiding behind a shower curtain, hears
and smells everything. You cannot help but cringe and laugh at
the same time. Big Momma even disrobes.
Robin Rauzi (Los Angeles Times) complains, "Who else
other than teens are going to laugh hysterically at a septuagenarian
using the toilet?" I think Robin must have rented a movie
theater for a private viewing. Lawrence Toppman (The Charlotte
Observer) observes, "A nasty toilet scene went too far for
me, but the audience roared at it." I suspect those roars
came from adults, too. That was my experience anyway.
Roger Ebert (Chicago Sun-Times) said, "Big Momma's
noisy visit to the bathroom is scary, not funny." This leads
me to ask the following question: Did Roger Ebert have a bad childhood
experience with stewed prunes? I hope he is brave enough to go
to the bathroom by himself nowadays.
Michael Wilmington (Chicago Tribune) deeply dissects Momma:
"How can you look at a skinny man covered with latex and
believe it's the 'Momma' you grew up with…how can Malcolm
duplicate Momma's speech patterns and carry on conversations with
people who've known her for years?"
This movie isn't mission impossible, Mr. Wilmington. This
is mission possible. Anything can happen in a movie with a weak
plot and a skinny comedian in a latex fat woman suit.
Susan Stark (Detroit News) got it right: "Once Big
Momma gets him into body-suit and full drag, it pretty much forgets
the silly plot and concentrates on the comic possibilities of
the situation. This is feeble scripting, but hardly anyone is
likely to care; the plot's going nowhere, so why not bring on
the fun?" Exactly, Susan! The character, Big Momma, was a
riot to watch.
Tom Meek (filmthreat.com) says, "His tongue-tied lust
for Sherry is uproarious and the smackdown game of two-on-two
("Granny's got game!") against some playground punks
is the film's crowning jewel." Big Momma's church service
and her self-defense class were equally funny.
Karen Moline (Movieline) sums the movie up best: "Despite
the cliché set-ups of Big Momma, the spirit is wonderfully
lighthearted, the comic timing so impeccable, the slapstick endlessly
silly, and the editing just snappy enough to keep audiences laughing."
Of the two TV critic shows, "The New Movie Show with Chris
Gore" (FX Channel) wins hands down over "Roger
Ebert and the Movies" (Buena Vista TV). Ebert
gives a "thumbs down" while Gore says, "If
you're looking for a comedy that will make you laugh out loud,
see it in the theater."
This film is an average two star comedy. Many critics condemned
"Big Momma's House" because they took the story too
serious. Go see this film and you will indeed laugh. But don't
expect much else.
And if you're huge Roger Ebert fan, you might want to cover
your eyes and ears when Big Momma releases those prunes.
--CRITIC DOCTOR
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| CAST: Martin Lawrence, Nia Long, Paul Giamatti, Jascha Washington, Terrence Howard, Anthony Anderson, Ella Mitchell and Carl Wright. | MPAA RATING: PG-13 (Profanity, crude humor, sexual innuendo & violence) |
| DIRECTOR: Raja Gosnell | SCREENPLAY: Darryl Quarles and Don Rhymer. |
| CINEMATOGRAPHY: Michael D. O'Shea | MUSIC: Richard Gibbs |
| DISTRIBUTOR: Twentieth Century Fox | RELEASE DATE: June 2, 2000 |
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